Convocatoria a publicar en el dossier "Crisis de los cuidados: actores, prácticas y políticas públicas en Latinoamérica y Europa" y en nuestra sección de artículos misceláneos con recepcion permanente.
Fecha límite de envío para el dossier: 23 de junio de 2025.
Para más información, por favor revisar este enlace.
Althusser, L. (1971). Ideology and ideological state apparatuses. In Lenin and philosophy and other essays. (Ben Brewster, Trans.), 121–176. NLB.
Atkin, R. (1970). Revolution! Mexico 1910-20, 85-90. J. Day Co.
Back, L. (2016). Moving sounds, controlled borders: Asylum and the politics of culture. Young, 24(3), 185-203.
Barthes, Roland. (1977). “The death of the author.” In Image-music-text, 142-148. Hill and Wang.
Bloch, E. (1986). The principle of hope. MIT Press.
Brown, M. E. (2014). The concept of the social in uniting the humanities and social sciences. Temple University Press.
Brown, M. E., and A. Golden. (1973). Collective behavior: A review and reinterpretation of the literature. Goodyear.
Chew-Sánchez, M. I. (2006). Corridos in migrant memory. University of New Mexico Press.
Abrego y Picazo. (1996) “Corrido de Macario Romero” in Mexican Revolution. Smithsonian Folkways Recordings. Originally released on Arhoolie Records.
Edberg, M. (2004). El narcotraficante: Narcocorridos and the construction of a cultural persona on the U.S.-Mexico border (1st ed.). University of Texas Press.
Eyerman, R. (2002). Music in movement: cultural politics and old and new social movements. Qualitative Sociology, 25(3), 443–458.
Fernández, C. & Officer., J (1989). The Lighter Side of Immigration: Humor and Satire in the Mexican Corrido. Journal of the Southwest, 31(4), 474-495
Jameson, F. (2005). Archaeologies of the future: The desire called utopia and other science fiction. Verso.
Gadamer, Hans. (1975). Truth and method. Continuum.
Gramsci, A. (1971). Selections from the prison notebooks of Antonio
Gramsci (Q. Hoare and G. N. Smith, Ed. and Tr.). International Publishers.
Halley, J. A. (1991). Cultural resistance to rationalization: A study of an art avant-garde. In H. Etzkowitz and R. Glassman, (Eds.), The renascence of sociological theory: Traditional perspectives and new directions, 227-244. Peacock Publishers.
Halley, J. A. (1996). Origins and novelty: Avant-gardes and their reception. Current perspectives in social theory, 16, 221-236.
Halley, J. A., Valdez, A., & Nava, S. (2001). Resistance to the bureaucratization of culture: Lessons from the Chicano arts scene. Journal of Arts Management, Law and Society, 31(2), 198-239.
Hobsbawm, E. (1971). Primitive rebels: Studies in archaic forms of social movement in the 19th and 20th Centuries. University of Manchester Press.
Herrera-Sobek, M. (2012). The border patrol and their migra corridos: Propaganda, genre adaptation, and Mexican immigration. American Studies Journal, 57.
Hudson, W. (1982). The Marxist philosophy of Ernst Bloch. The Macmillan Press.
Jiménez, S. (1989). Ya Llegaron a la Luna [They’ve Reached the Moon] Familia y tradition (audio cassette, Rounder C-6033), song notes by José Reyna, Rounder Records.
Lasswell, H. (1971). Propaganda technique in the World War. The MIT Press.
Lazarsfeld, P.F., Berelson, B. & Gaudet, H. (1968). The people’s choice: How the voter makes up his mind in a presidential campaign. Columbia University Press.
Lidskog, R. (2016). The role of music in ethnic identity formation in diaspora: a research review. International Social Science Journal, 66, 23-38.
Lorenz, S. (n.d.). Migra corridos and the pernicious benevolence of US government-sponsored sonic propaganda. Latino Studies, 14(3), 298–319.
Los Invasores de Nuevo León. (1998). “Los Super Capos” on Leyendas. EMI International.
Morrison, A. (2008). Musical trafficking: Urban youth and the narcocorrido-hardcore rap nexus. Western Folklore, 67(4), 379-396.
Noe, M. (2009). The corrido: A border rhetoric. College English, 71(6), 596-605.
Paredes, A. (1995). A Texas-Mexican Cancionero: Folksongs of the lower border. University of Texas Press.
Paredes, A. (2010). With His Pistol in His Hand: A Border Ballad and Its Hero. University of Texas Austin Press.
Paredes, A., & Herrera-Sobek, M. (2012). The corrido: An invited lecture at the “music in culture” public lecture series. The Journal of American Folklore, 125(495), 23–44. https://doi.org/10.5406/jamerfolk.125.495.0023
Riccioni, I., and Halley, J. A. (2021). Performance as social resistance: Pussy
Riot as a feminist avant-garde. Theory, Culture & Society, 38(7-8)
https://journals.sagepub.com/doi/full/10.1177/02632764211032726
Richard J. Mertz. (1974). No one can arrest me: The story of Gregorio Cortez. Journal of South Texas, (1-2).
Thompson, E. P. (1963). The making of the English working class. Knopf.
Thompson, E. P. (1975). The crime of anonymity. In D. Hay, et al, (Ed.), Albion's fatal tree: Crime and society in Eighteenth-Century England, 255-344. Pantheon.
Valdez, A., & Halley, J. A. (1993). Career and identity in Mexican American conjunto musicians. Current research on occupations and professions: Creators of culture series, 8, 223-246. JAI Press.
Weber, Max. (1947). The theory of social and economic organizations. A. H. Henderson and T. Parsons, (Tr.), T. Parsons (Ed.). Free Press.
Wald, Elijah. (2001). Narcocorrido: A journey into the music of drugs, guns, and guerrillas. Harper Collins Publishers.